It was a nasty number, filled with the type of inelegant insults one spews when truly hurt, and it posed a dilemma for Swift’s ongoing project to rerecord her work. She ripped apart her subject’s fashion sense, her career choice, and, most controversial at the time, her sex life: “She’s better known for the things that she does on the mattress,” Swift snarled, in the song’s big sing-along chorus. Over crunchy electric guitars and a pop-punk beat, Swift taunted the new girlfriend of an ex. But “ Better Than Revenge,” from that 2010 record, was something different-an angry song, filled with lines that sounded like they were torn from the pages of a Mean Girls–esque burn book. The songs I categorise in this style sound like confessions scribbled and sealed in an envelope, but too brutally honest to send.Before she released Speak Now, her third album, Taylor Swift was best-known for writing lyrical fairy tales such as “Love Story” and “You Belong With Me,” in which she pined for romantic love and happy endings. Placing yourself and whoever is listening in the room where it all happened. “Trying to paint a vivid picture of a situation, down to the chipped paint on the door frame and the incense dust on the vinyl shelf. Taking a common phrase and flipping its meaning,” Swift said. It “means a modern storyline or references with a poetic twist. If my lyrics sound like a letter written by Emily Dickinson’s great-grandmother while sewing a lace curtain, that’s me writing in the Quill genre,” she explained before quoting ‘Ivy’ from ‘Evermore.įountain Pen lyrics, according to Swift, are her most common. Swift went on to describe the differences between each category, with “Quill” lyrics featuring “words and phrasings (that) are antiquated, if I was inspired to write it after reading Charlotte Brontë or after watching a movie where everyone is wearing poet shirts and corsets.
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